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With those shows, he proved himself to be a breath of fresh air in a hard rock music scene desperately in need of some new excitement and a new Rock God. Little known in this country, Livan has been wowing audiences and making a name for himself since the summer as the opening act for Alice Cooper. "King Of The World" and "Many Happy Returns" hew more closely to pure punk tradition, while the album's best track, the ferocious "Undead" pairs menacing bass and guitar lines with a seething, barely controlled rage that would have made Livan a perfect villain in a Batman movie. "Little White Lies" would have been right at home on a Sex Pistols album, while "Sad" could have been a mix of Blink 182 and Billy Idol. "Meet Me On The Other Side" is built around a two-chord riff very reminiscent of Black Sabbath's self-titled track "Black Sabbath," and guitarist Will Crewdson's solo has the type of frenzied crescendo that Cheap Trick's Rick Nielsen used early in his career. The grooves range from the slow ballad "Beautifully Bad" to the reggae-influenced "God Bless My Soul," with other songs that blend rock, dance, a bit of electronica and more without sounding disjointed - it all flows beautifully, and is aided by guest appearances by Jean Grae, Michelle Williams and John Forte.Īll-at-once angry, pensive, wistful and hopeful, Livan's songs run the gamut from post-punk slashing guitars to the dissonant power chords of classic 1970s rock, with just enough melody and harmony thrown in to make it commercially appealing. The rest of the album is just plain alluring. It's uncomfortable yet irresistible listening. Though the two put out a few songs in 2010, they made their official debut late last year with "Habits of the Heart," which kicks off with the feverish "Enemy," where Kweli plays Ike to Res' Tina - and not in a good way. Still, Res has remained on the music scene for the last few years and makes perhaps her biggest splash yet with Talib Kweli as the eclectic, electric duo Idle Warship. Res put out her debut album in 2001 with "How Do I," but the singer-songwriter, who blended her soulful music with elements of rock and pop, fell off the mainstream map despite that wonderful first effort. Idle Warship, "Habits of the Heart," (Blacksmith/Element 9/Fontana) She also performed at the reception for the royal wedding. She's won over the United Kingdom: She's multiplatinum there and has two Top 5 hits.
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The songs are as appealing as Goulding: She's telling her lover she isn't sticking around on the drum and electric guitar-fused "Every Time You Go," and she's pleading - in a lovely cry - that he stay around on the eerie-sounding "Salt Skin." And on one song she sings: "We're under the sheets and you're killing me."Įven when Goulding is not saying it in her own words, she is still convincing - check out her brilliant cover of Elton John's "This Song," which was produced by Ben Lovett of Mumford & Sons.īesides that tune, the 25-year-old co-wrote every track on the 11-song set, working on most of the album with producer Starsmith. Her voice drips with emotion and her lyrics are honest and straight forward, both ingredients that make for a top-notch album.
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Yes, Ellie Goulding's debut album "Lights" is full of electro-dance beats and some tracks even make use of Auto-Tune, but it's not another overproduced dance album: She's got artistic heft.